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Television production handbook

By: Zettl, Herbert.
Publisher: Stamford, CT : Cengage, 2014Copyright date: ©2015Edition: 12th ed.Description: 1 online resource (530 pages).Content type: text Media type: computer Carrier type: online resourceISBN: 9781305176508.Subject(s): Television -- Production and directionGenre/Form: Electronic books.Additional physical formats: Print version:: Television Production HandbookDDC classification: 791.450232 Online resources: An electronic book accessible through the World Wide Web; click to view
Contents:
Intro -- Brief Contents -- Contents -- About the Author -- Preface -- Ch 1: The Television Production Process -- 1.1: What Television Production is All About -- 1.2: Technical Production Systems -- Ch 2: The Producer in Preproduction -- 2.1: What Producing is All About -- 2.2: Information Resources, Unions, and Ratings -- Ch 3: The Script -- 3.1: Basic Script Formats -- 3.2: Dramatic Structure, Conflict, and Dramaturgy -- Ch 4: The Director in Preproduction -- 4.1: How a Director Prepares -- 4.2: Communication and Scheduling -- Ch 5: The Television Camera -- 5.1: How Television Cameras Work -- 5.2: How Digital Video Works -- Ch 6: Lenses -- 6.1: What Lenses Are -- 6.2: What Lenses See -- Ch 7: Camera Operation and Picture Composition -- 7.1: Working the Camera -- 7.2: Picture Composition -- Ch 8: Audio: Sound Pickup -- 8.1: How Microphones Hear -- 8.2: How Microphones Work -- Ch 9: Audio: Sound Control -- 9.1: Sound Controls and Recording -- 9.2: Stereo, Surround Sound, and Sound Aesthetics -- Ch 10: Lighting -- 10.1: Lighting Instruments and Lighting Controls -- 10.2: Light Intensity, Baselight Levels, Color Temperature, and Color Mixing -- Ch 11: Techniques of Television Lighting -- 11.1: Lighting in the Studio -- 11.2: Lighting in the Field -- Ch 12: Video-Recording Procedures and Systems -- 12.1: How Video-Recording is Done -- 12.2: Tapeless Video-Recording Systems -- Ch 13: Switching, or Instantaneous Editing -- 13.1: How Switchers Work -- 13.2: Special-Purpose Switchers -- Ch 14: Design -- 14.1: Designing and Using Television Graphics -- 14.2: Scenery and Props -- Ch 15: Television Talent -- 15.1: Television Performers and Actors -- 15.2: How to Do Makeup and What to Wear -- Ch 16: The Director in Production -- 16.1: Multicamera Control Room Directing -- 16.2: Single-Camera and Digital Cinema Directing.
Ch 17: Field Production and Big Remotes -- 17.1: Field Production -- 17.2: Covering Major Events -- Ch 18: Postproduction Editing: How It Works -- 18.1: How Nonlinear Editing Works -- 18.2: Audio/Video Linkage -- Ch 19: Editing Functions and Principles -- 19.1: Continuity Editing -- 19.2: Complexity Editing -- Epilogue -- Glossary -- Index.
Item type Current location Call number Status Notes Date due Barcode
Main Collection Taylor's Library-Perpetual(TC)
791.450232 (Browse shelf) e-book SOPUx,83003,03,RA,PPT

Intro -- Brief Contents -- Contents -- About the Author -- Preface -- Ch 1: The Television Production Process -- 1.1: What Television Production is All About -- 1.2: Technical Production Systems -- Ch 2: The Producer in Preproduction -- 2.1: What Producing is All About -- 2.2: Information Resources, Unions, and Ratings -- Ch 3: The Script -- 3.1: Basic Script Formats -- 3.2: Dramatic Structure, Conflict, and Dramaturgy -- Ch 4: The Director in Preproduction -- 4.1: How a Director Prepares -- 4.2: Communication and Scheduling -- Ch 5: The Television Camera -- 5.1: How Television Cameras Work -- 5.2: How Digital Video Works -- Ch 6: Lenses -- 6.1: What Lenses Are -- 6.2: What Lenses See -- Ch 7: Camera Operation and Picture Composition -- 7.1: Working the Camera -- 7.2: Picture Composition -- Ch 8: Audio: Sound Pickup -- 8.1: How Microphones Hear -- 8.2: How Microphones Work -- Ch 9: Audio: Sound Control -- 9.1: Sound Controls and Recording -- 9.2: Stereo, Surround Sound, and Sound Aesthetics -- Ch 10: Lighting -- 10.1: Lighting Instruments and Lighting Controls -- 10.2: Light Intensity, Baselight Levels, Color Temperature, and Color Mixing -- Ch 11: Techniques of Television Lighting -- 11.1: Lighting in the Studio -- 11.2: Lighting in the Field -- Ch 12: Video-Recording Procedures and Systems -- 12.1: How Video-Recording is Done -- 12.2: Tapeless Video-Recording Systems -- Ch 13: Switching, or Instantaneous Editing -- 13.1: How Switchers Work -- 13.2: Special-Purpose Switchers -- Ch 14: Design -- 14.1: Designing and Using Television Graphics -- 14.2: Scenery and Props -- Ch 15: Television Talent -- 15.1: Television Performers and Actors -- 15.2: How to Do Makeup and What to Wear -- Ch 16: The Director in Production -- 16.1: Multicamera Control Room Directing -- 16.2: Single-Camera and Digital Cinema Directing.

Ch 17: Field Production and Big Remotes -- 17.1: Field Production -- 17.2: Covering Major Events -- Ch 18: Postproduction Editing: How It Works -- 18.1: How Nonlinear Editing Works -- 18.2: Audio/Video Linkage -- Ch 19: Editing Functions and Principles -- 19.1: Continuity Editing -- 19.2: Complexity Editing -- Epilogue -- Glossary -- Index.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2020. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.