The opera quarterly.
Analytics: Show analyticsPublisher: Oxford : Oxford University Press, 1983-2015Description: 1 online resource.Content type: text Media type: computer Carrier type: online resourceISSN: 1476-2870.Subject(s): Opera -- PeriodicalsAdditional physical formats: Print version :: No titleDDC classification: 782.105 Online resources: The journal accessible through the World Wide Web; click to view Summary: Since its inception in 1983, The Opera Quarterly has earned the enthusiastic praise of opera lovers and scholars alike for its engagement within the field of opera studies. In 2005, David J. Levin, a dramaturg at various opera houses and critical theorist at the University of Chicago, assumed the executive editorship of The Opera Quarterly, with the goal of extending the journal's reputation as a rigorous forum for all aspects of opera and operatic production. Under David's and new Executive Editor Ryan Minor's stewardship, the journal is resituated squarely at the intersection of performance, theory, and history, with a purview encompassing contemporary developments on the stage and in the academy.Item type | Current location | Call number | Status | Date due | Barcode |
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Journals | Taylor's Library-TU | 782.105 (Browse shelf) | Available |
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782.009 A history of singing / | 782.009 A history of singing / | 782.1 NEW The New Penguin opera guide / | 782.105 The opera quarterly. | 782.109 OXF The Oxford illustrated history of opera / | 782.1092 The origins and roles of instrumental music in the operas of Richard Strauss | 782.1092 TIA Along the roaring river : |
Since its inception in 1983, The Opera Quarterly has earned the enthusiastic praise of opera lovers and scholars alike for its engagement within the field of opera studies. In 2005, David J. Levin, a dramaturg at various opera houses and critical theorist at the University of Chicago, assumed the executive editorship of The Opera Quarterly, with the goal of extending the journal's reputation as a rigorous forum for all aspects of opera and operatic production. Under David's and new Executive Editor Ryan Minor's stewardship, the journal is resituated squarely at the intersection of performance, theory, and history, with a purview encompassing contemporary developments on the stage and in the academy.
Description based on online resource; title from home page (viewed on September 29, 2016).
Lakeside: 2010-2015