Jenson, Deborah. <br/><br/>
Trauma and its representations  the social life of mimesis in post-revolutionary France /  [electronic resource] : 
Deborah Jenson. 
 - Baltimore :  Johns Hopkins University Press,  c2001. 
 - x, 294 p. ;  24 cm. 
<br/><br/>Includes bibliographical references (p. 259-279) and index. 
<br/><br/>Iconoclasm : setting wounds in stone at the Musee des monuments français (1795-1816) -- Transpositionality : the political gets personal in Constant's Cécile -- Plagiarism : Duras, Desbordes-Valmore, and the scandalous potency of the woman author -- Harmony : Lamartine's social pain -- Analogy : slavery to duplicity in Sand's Indiana -- Fetishism. 
<br/><br/><br/>Electronic reproduction. <br/>Palo Alto, Calif. : <br/>ebrary, <br/>2009. <br/>Available via World Wide Web. <br/>Access may be limited to ebrary affiliated libraries. 
<br/><br/><label>ISBN: </label>
<br/><br/><label>LCCN: </label>
<br/><br/><label>Subjects--Uniform Titles: </label><br/>Mimesis.
<br/><br/><label>Subjects--Topical Terms: </label><br/>French literature--History and criticism.--19th century<br/>Mimesis in literature.
<br/><br/><label>Index Terms--Genre/Form: </label><br/>Electronic books.
<br/><br/><label>LC Class. No.: </label>PQ283  / .J46 2001eb 
<br/><br/><label>Dewey Class. No.: </label>840.9/12