Visualities perspectives on contemporary American Indian film and art / [electronic resource] :
edited by Denise K. Cummings.
- East Lansing : Michigan State University Press, c2011.
- xxiv, 243 p.
- American Indian studies series .
Includes bibliographical references and index.
Introduction: Indigenous visualities -- pt. 1. Indigenous film practices -- Visual prophecies : Imprint and It starts with a whisper / Michelle H. Raheja -- Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne -- Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst -- Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli -- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey -- Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper -- pt. 2. Contemporary American Indian art -- Indigenous semiotics and shared modernity / Dean Rader -- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin -- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler -- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen.
Electronic reproduction. Palo Alto, Calif. : ebrary, 2012. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.
Indian arts--United States. Arts and society--United States. Indians of North America--Intellectual life. Indians of North America--Ethnic identity. Visual communication--United States. Indigenous films--United States. Indians in motion pictures. Indian motion picture producers and directors--United States--Biography. Indian art--United States. Indian artists--United States--Biography.