Musical representations, subjects, and objects the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / [electronic resource] :
Jairo Moreno.
- Bloomington : Indiana University Press, c2004.
- viii, 236 p. : ill.
- Musical meaning and interpretation .
- Musical meaning and interpretation. .
Includes bibliographical references (p. [221]-231) and index.
Zarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject.
Electronic reproduction. Palo Alto, Calif. : ebrary, 2009. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.
GBA471591 bnb
Uk
Music--Philosophy and aesthetics. Music--Semiotics. Music theory--History.