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Screens and veils [electronic resource] : Maghrebi women's cinema / Florence Martin.

By: Martin, Florence, 1959-.
Contributor(s): ebrary, Inc.
Series: New directions in national cinemas. Publisher: Bloomington : Indiana University Press, 2011Description: x, 271 p.Subject(s): Motion pictures -- Africa, North -- History -- 20th century | Motion pictures -- Africa, North -- History -- 21st century | Women motion picture producers and directors -- Africa, North | Motion pictures -- Social aspects -- Africa, North | Women in motion pictures | Africa, North -- In motion picturesGenre/Form: Electronic books.DDC classification: 791.430961 Online resources: An electronic book accessible through the World Wide Web; click to view
Contents:
Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.
Item type Current location Call number Status Date due Barcode
791.430961 (Browse shelf) Available

Includes bibliographical references and index.

Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.

Electronic reproduction. Palo Alto, Calif. : ebrary, 2011. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.