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Visualities [electronic resource] : perspectives on contemporary American Indian film and art / edited by Denise K. Cummings.

Contributor(s): Cummings, Denise K | ebrary, Inc.
Series: American Indian studies series.Publisher: East Lansing : Michigan State University Press, c2011Description: xxiv, 243 p.Subject(s): Indian arts -- United States | Arts and society -- United States | Indians of North America -- Intellectual life | Indians of North America -- Ethnic identity | Visual communication -- United States | Indigenous films -- United States | Indians in motion pictures | Indian motion picture producers and directors -- United States -- Biography | Indian art -- United States | Indian artists -- United States -- BiographyGenre/Form: Electronic books.DDC classification: 700.89/97009051 Online resources: An electronic book accessible through the World Wide Web; click to view
Contents:
Introduction: Indigenous visualities -- pt. 1. Indigenous film practices -- Visual prophecies : Imprint and It starts with a whisper / Michelle H. Raheja -- Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne -- Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst -- Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli -- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey -- Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper -- pt. 2. Contemporary American Indian art -- Indigenous semiotics and shared modernity / Dean Rader -- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin -- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler -- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen.
Item type Current location Call number Status Date due Barcode
700.89/97009051 (Browse shelf) Available

Includes bibliographical references and index.

Introduction: Indigenous visualities -- pt. 1. Indigenous film practices -- Visual prophecies : Imprint and It starts with a whisper / Michelle H. Raheja -- Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne -- Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst -- Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli -- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey -- Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper -- pt. 2. Contemporary American Indian art -- Indigenous semiotics and shared modernity / Dean Rader -- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin -- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler -- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen.

Electronic reproduction. Palo Alto, Calif. : ebrary, 2012. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.