000 01504nam a2200229 4500
001 vtls002279260
003 MY-SjTCS
005 20200306153909.0
008 110218s2000 enk 001 eng
020 _a0340692790
039 9 _a201909201346
_bummi
_c201102181330
_dVLOAD
_y200407271932
_zVLOAD
082 0 4 _a791.43
_bFIL
245 0 4 _aThe film studies reader /
_cedited by Joanne Hollows, Peter Hutchings, and Mark Jancovich
260 _aLondon :
_bArnold ;
_aNew York :
_bCo-published in the United States of America by Oxford University Press,
_c2000.
300 _axii, 368 p. ;
_c25 cm.
505 0 _aPreface. - Acknowledgements. - Section One : Political economy and mass culture theory. Editors' introduction. - Section Two : Film and authorship. Editor's introduction. - Section Three : Genre criticism. Editors' introduction. - Section Four : Star studies. Editors' introduction. - Section Five : the historical poetics of cinema. - Editors' introduction. - Section Six : screen theory I : from marxism to psychoanalysis. Editors' introduction. - Section Seven : Screen theory II : psychoanalysis, feminism and film. Editors' introduction. - Section Eight : cultural studies. Editors' introduction. - Section Nine : theorizing differences. Editors' introduction. - Index.
650 0 _aMotion pictures.
_9202772
700 1 _aHollows, Joanne.
_e(ed.)
_9204246
700 1 _aHutchings, Peter.
_e(j. ed.)
_9204247
700 1 _aJancovich, Mark.
_e(j. ed.)
_9204248
920 _aMCS(USM) : 201046
999 _c22849
_d22849