000			01760nam a2200241 a 4500
001			vtls003030879
003			MY-SjTCS
005			20200306163751.0
008			110218s2002 enk f b 001 0 eng
020			_a1859416144 (hbk.)
039		9	_a201102181600 _bVLOAD _c200610040936 _dsusan _c200610020944 _dradtha _c200610020943 _dradtha _y200609291603 _zradtha
082	0	4	_a823.9109355 _bWIL
100	1		_aWilliams, Melanie, _d1958- _9239346
245	1	0	_aEmpty justice : _bone hundred years of law, literature, and philosophy : existential, feminist, and normative perspectives in literary jurisprudence / _cMelanie Williams.
260			_aLondon : _bCavendish Pub., _c2002.
300			_axxxviii, 238 p. ; _c24 cm.
504			_aIncludes bibliographical references (p. 221-230) and index.
505	0		_aAcknowledgments. - Table of cases. - Table of statutes. - Introduction. - 1.The Year 2000 - The Empty City: JG Ballard's Super-Cannes and JM Coetzee's Disgrace. - 2. The 1890s - The Empty Wood: Tess of the D'Urbervilles Rape, seduction and Provocation: Effacement of Identity at the Fin De Siecle. - 3. The Early 20th Century -The Empty Room 'The Subject' - Woolf, Joyce and The Viscountess Rhondda's Claim. - 4. The 1940s - The Empty War: Graham Green's The Ministry of Fear and Elizabeth Bowen's The Heat of the Day. - 5. The 1960s- The Empty Shell: John Fowles's The French Lieutenant's Woman and iris Murdoch's Bruno's Dream. - 6. The 1980s - The Empty Island: JM Coetzee's Foe. - 7. Inconclusion. - 8. Conclusion.
600	1	0	_aHardy, Thomas, _d1840-1928. _tTess of the d'Urbervilles. _9218560
650		0	_aEnglish fiction _y20th century _xHistory and criticism. _913774
650		0	_aLaw in literature. _9239347
920			_aLAW : 21333, 21334, 21335, 21336
999			_c45190 _d45190